Tiwanaku Stone Work
Posted: Mon Apr 18, 2011 8:11 pm
For me Tiwanaku remains a place of mystery and wonder, even after nearly 40 years of visiting.
Some years ago I was fortunate to have spent a little time with Prof. J.P. Protzen of U.C. Berkeley while he and his student Stella Nair were investigating the astounding stone work of the Puma Punku part of Tiwanaku.
The exact method used to shape the stones seems to remain as much a mystery as ever.
To my knowledge the workshops where the stones were shaped have yet to be found, nor the tools that were used to achieve such incredible precision.
This WAS rocket science for people who only had stone to work with. The degree of precision demonstrated over and over on the andesite stones, which were transported across part of Lake Titicaca, has not been appreciated by most archaeologists.
The the technical mastery exhibited by the stone work at Tiwanaku represents a feat of engineering which deserves to be given a great deal of thought.
Aside from anything else the stonework in itself represents a message that has come down in time from them to us. They left us with a mystery so profound that we may still not have grasped it. Was this intentional? How can we know even that?
The question remains: How did they accomplish this incredible feat, with what as tools, and WHY?
It was not for aesthetic reasons, at least not in the ordinary sense. There was no aesthetic need to produce hard stone sculpture of such precision that modern measuring tools used by engineers are required to appreciate the accuracy
Could this have somehow been easy for them to do? (You can ask exactly the same question about Inca stone work).
There seems to be a tendency to think that because Tiwanaku is ancient there is somehow no need for a technical explanation for the ability of those people to work marvels in hard stone with only other stones for tools.(And where are all those worn out stone tools, anyway?) Are we simply to assume that somehow these people living in relative isolation at nearly 4000 meters had acquired technical expertise on a par with that of a large modern industrial workshop, and let it go at that. Really?
I took a precision metal machinist friend from Australia to Tiwanaku the last visit.
I wanted him to tell me how he would shape the multi-ton andesite stones to the same degree of precision using today's sophisticated machine tools.
He came away talking about huge milling machines with moving beds three meter across, upon which the stone would be mounted and a machine head with big rotating cutters made from a material only invented shortly before WW II.
Were the ancient people of Tiwanaku trying to tell us something with their impossibly precise stone cutting ability?
If so,what was it?
Was this the only way for them to communicate over the vast time that separates, not to mention unfathomable cultural differences?
Ron Davis
LaPaz, Bolivia
Some years ago I was fortunate to have spent a little time with Prof. J.P. Protzen of U.C. Berkeley while he and his student Stella Nair were investigating the astounding stone work of the Puma Punku part of Tiwanaku.
The exact method used to shape the stones seems to remain as much a mystery as ever.
To my knowledge the workshops where the stones were shaped have yet to be found, nor the tools that were used to achieve such incredible precision.
This WAS rocket science for people who only had stone to work with. The degree of precision demonstrated over and over on the andesite stones, which were transported across part of Lake Titicaca, has not been appreciated by most archaeologists.
The the technical mastery exhibited by the stone work at Tiwanaku represents a feat of engineering which deserves to be given a great deal of thought.
Aside from anything else the stonework in itself represents a message that has come down in time from them to us. They left us with a mystery so profound that we may still not have grasped it. Was this intentional? How can we know even that?
The question remains: How did they accomplish this incredible feat, with what as tools, and WHY?
It was not for aesthetic reasons, at least not in the ordinary sense. There was no aesthetic need to produce hard stone sculpture of such precision that modern measuring tools used by engineers are required to appreciate the accuracy
Could this have somehow been easy for them to do? (You can ask exactly the same question about Inca stone work).
There seems to be a tendency to think that because Tiwanaku is ancient there is somehow no need for a technical explanation for the ability of those people to work marvels in hard stone with only other stones for tools.(And where are all those worn out stone tools, anyway?) Are we simply to assume that somehow these people living in relative isolation at nearly 4000 meters had acquired technical expertise on a par with that of a large modern industrial workshop, and let it go at that. Really?
I took a precision metal machinist friend from Australia to Tiwanaku the last visit.
I wanted him to tell me how he would shape the multi-ton andesite stones to the same degree of precision using today's sophisticated machine tools.
He came away talking about huge milling machines with moving beds three meter across, upon which the stone would be mounted and a machine head with big rotating cutters made from a material only invented shortly before WW II.
Were the ancient people of Tiwanaku trying to tell us something with their impossibly precise stone cutting ability?
If so,what was it?
Was this the only way for them to communicate over the vast time that separates, not to mention unfathomable cultural differences?
Ron Davis
LaPaz, Bolivia