THE FOLLOWING IMAGE IS OUT OF FOCUS, BUT THE SUBJECT MATTER IS VISIBLE. THIS IS A MICRO IMAGE SHOWING ABOUT ONE EIGHT OF AN INCH OF THE STONE ARTIFACT SURFACE.
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Despite complaints about micro image sharpness problems, I will post this in hopes that someone can see the subject matter. One method of viewing that helps is to simply look at the image for enough time to allow the subject matter to "appear." Initially one may see nothing but jumbled areas of muted colors. In fact, there are at least three people shown in this composition. On the left side of the image is a red haired full bearded man looking left. His face occupies almost the entire height of the frame and one third of the frame left to right. His eyes appear closed. On the right side of the frame is a woman, also red haired, facing almost forward and a bit to the left. Her hair, face, and torso to the waist are visible as may be a white dress, all of which is seen in the entire height of the frame. In front of her and in the lower right center of the frame is another person, perhaps a child, looking right in a three quarter view with mouth agape in the apparent process of vocalizing.
Less apparent is the image of a big cat looking down and right in a three quarter view in the upper left corner of the frame and composed using the nose and left eye of the red bearded chap. The cat is superimposed over part of the man's face and demonstrates the often used artistic technique of multiple characters sharing shapes and features of others nearby in the composition. The broad whitish horizontal stroke at the forehead of the man forms the brow ridge of the big cat. The nature of shared elements illuminates compositions where subject matter can change as it is viewed, but not necessarily by manipulating the artifact, though changes in stone angles, attitudes, light, and moisture can accomplish this as well.
I consider this to be a portrait with the big cat symbolizing an important aspect of cultural or personal belief relative to the group. Thanks for your patience with this image.
Tiompan,
In light of recent news and the thread subject concerning faint or obscure markings on stone only visible in certain light and light/angle conditions, perhaps we should be looking for less obvious artistic workings in stone artifacts and architectural elements. There may be a subtle record of expression that has been overlooked in our press to understand the previously unknown in western terms which may lack certain perspectives in mind set to catch "hidden" artistic content.