In search of the Palaeo shaman
Moderators: MichelleH, Minimalist, JPeters
hmm - Not so sure MS. If you look - the knees of the "creature" are bent in the way a humans are - not an animals. And it does appear to be human feet.
Last edited by rich on Sun May 11, 2008 2:34 pm, edited 1 time in total.
i'm not lookin' for who or what made the earth - just who got me dizzy by makin it spin
- Manystones
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Wrong again. You produced a sketch of a sketch. I produced the original sketch and a clear photograph of the original on the cave wall to demonstrate how "imaginative" the original Breuil sketch was. You are deliberately trying to smear my character since you cannot respond to the issues I have repeatedly raised throughout this and the rock art thread.Ishtar wrote:Incidentally, I didn't use this sketch, as I agree it's overdone. So once again Manystones is using sleight of hand to make it look as if I was presenting something that I wasn't.Manystones wrote:
Breuil seems to have used a little artistic licence in his sketch.
Pure dishonesty.
From personal PM's I know they are interested.Ishtar wrote:Manystones, why do you think anyone here will be the least bit interested in anything you have to say after the way you discredited yourself yesterday?
Not only did you behave like a viscious-minded bully, but you also tried to misrepresent me by falsifying one of my quotes - and your reason for doing so, when I challenged you, was pure, unadulterated mendacity.
You have no integrity here, Manystones.....in the meantime, we will be going with the widely accepted definition from Wikipedia which, although it may not be perfect, it certainly more reliable than you and your so-called neutral scientists.



You seem to be suffering from a massive case of transference.
And to reiterate, I've repeatedly explained my reasoning for selectively quoting you here:
http://archaeologica.boardbot.com/viewt ... c&start=75
here:
http://archaeologica.boardbot.com/viewt ... &start=300
and twice here:
http://archaeologica.boardbot.com/viewt ... &start=315
And yet you have failed to explain why you have blatantly misrepresented me:
Ishtar wrote:Manystones
When you PM-ed me the other day about my approach being 'bad for the discipline', I was too polite to say: "Bad for what discipline? The discipline of seeing faces in stones?"
But I'm not feeling so polite now after reading your arrogant remark about your post getting us ‘back to reality'.
Do you think if you ape the pomposity of the Club, they’ll accept you and your stones? You need to think again.
I write in plain language that most people can understand. So if you can’t understand what I say, you might try a local literacy class.
Richard
www.palaeoart.co.uk
www.palaeoart.co.uk
Oh, I see...so you're on a one man mission, are you, cheered on by your mates, to discredit me, at any cost, even the cost of truth ....Manystones wrote:
From personal PM's I know they are interested.![]()
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And you don't call that bullying... or trolling ... or lying?
Manystones, I also get PMs .... and I can count too, so don't try and pull that one of me.
Your behaviour yesterday was disgusting, and in trying to make a fool out of me, you've only succeeded in making a fool out of yourself.
You have no interest in providng anything constructive towards this thread.
So given all this, why would anyone believe anything you have to say?
- Manystones
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Hi Rich,rich wrote:hmm - Not so sure MS. If you look - the knees of the "creature" are bent in the way a humans are - not an animals. And it does appear to be human feet.
I am not saying it is not a therianthrope, just that the Breuil sketch was not in line at all with the painting - at least as far as my eyes can see.

Again from:
http://web.uccs.edu/fcoolidg/Hodgson%20 ... mments.pdf
[Merlin] Donald has proposed a complex model in which he posits three broad stages of human evolution from our common human/chimp ancestor (1991: 124–61). For example, he begins his discussion by referring to ape culture as episodic. This is characterised by complex, periodic event perception; improved self-awareness, including the ability to recognise oneself in a mirror, as chimpanzees do; and event-sensitivity with a sporadic and reactive cognitive style and a limited voluntary expressive morphology…….These proto-cultural behaviours form a bridge leading from episodic culture to Donald’s first stage of hominin evolution, mimetic culture, which he believes peaked with Homo erectus (this bridge of development stretches from about 3 Ma–0.5 Ma).………
Some of the other characteristics of mimetic culture involve such novel forms of representation as non-verbal action modelling. With this advance there is a revolution in skill development transmitted via mimesis, non-verbal communication becomes increasingly important, and there are more opportunities for shared attention and participation in specific events. Mimetic culture thus allows for increased variability of custom and cultural ‘archetypes’ (Donald 1998: 7–17). Donald suggests that this ancient mimetic system is still crucially important in human behaviour and remains rather separate from linguistic cognitive evolution. Mimetic abilities, especially perceptual recognition, vocalisations and facial expressions are largely mediated through the right hemisphere. Hunting and gathering techniques no doubt began to evolve in complexity, as they were more readily transmitted across generations by means of imitation. In such a cultural milieu it is entirely likely that hominins observed the various camouflaging devices utilised by both predators and prey and attempted to mimic them.
During the pursuit of game, to the targeted quarry a disguised hominin would seem to have become one of the herd; whereas, to members of the hunting party, the same individual would appear to have metamorphosed into an animal. A strategy of this kind might have been interpreted as ‘magical’ by those involved, as it would have seemed able to transport humans into the midst of the animal world with impunity. For much of hominin history, throughout mimetic culture and later mythic culture up until about 30 000 years BP, the social organisation underlying these groups most likely consisted of small band societies (Gamble 1999; Renfrew and Bahn 1996), which were characterised by egalitarianism, with leadership being informal and based upon natural ability. Earlier in the cultural development of animal disguises for hunting, many individuals were probably considered competent in this role. But, as the demands increased due to growing cultural complexity, one particular individual is likely to have been especially convincing at mimicking animals. This person therefore probably came to be seen as in possession of a special ‘gift’, in the sense of appearing to be able to pass, at will, from the human to the animal world.
According to Donald’s evolutionary scheme, about 500 000 BP some basic advances upon the earlier mimetic cultural stage began to develop, culminating in mythic culture. This culture was characterised by high-speed phonology, oral language and oral social records. It is ‘mythic’ because it is governed by representations that consist of a shared oral-mythic tradition, which includes a public, standardised version of reality permeated by mythic archetypes and allegories that can exert direct control over the form of human thought and convention (Donald 1998: 14). This would also include enhanced visual representational abilities that would form a basis for the creation of artistic objects such as the Berekhat Ram and Tan-Tan figures mentioned earlier. This phase of cultural evolution peaks in Homo sapiens sapiens, and some of the visual records of that culture survive in the Palaeolithic cave painting of animals.
Richard
www.palaeoart.co.uk
www.palaeoart.co.uk
But why mention the Breuil sketch at all, when I didn't?Manystones wrote:Hi Rich,rich wrote:hmm - Not so sure MS. If you look - the knees of the "creature" are bent in the way a humans are - not an animals. And it does appear to be human feet.
I am not saying it is not a therianthrope, just that the Breuil sketch was not in line at all with the painting - at least as far as my eyes can see.
Just more misrepresentation.
- Manystones
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Manystones wrote:And yet you have failed to explain why you have blatantly misrepresented me:
I went back to the original source from whence the sketch that you provided was quite clearly derived from.
Ishtar wrote:Manystones
When you PM-ed me the other day about my approach being 'bad for the discipline', I was too polite to say: "Bad for what discipline? The discipline of seeing faces in stones?"
But I'm not feeling so polite now after reading your arrogant remark about your post getting us ‘back to reality'.
Do you think if you ape the pomposity of the Club, they’ll accept you and your stones? You need to think again.
I write in plain language that most people can understand. So if you can’t understand what I say, you might try a local literacy class.
Richard
www.palaeoart.co.uk
www.palaeoart.co.uk
- MichelleH
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The two of you need to move on, stop the pissing contest and get back on topic. This little foray has gone on long enough.
You each have an opinion and should respect the other’s.
You each have an opinion and should respect the other’s.
We've Got Fossils - We win ~ Lewis Black
Red meat, cheese, tobacco, and liquor...it works for me ~ Anthony Bourdain
Atheism is a non-prophet organization.
Red meat, cheese, tobacco, and liquor...it works for me ~ Anthony Bourdain
Atheism is a non-prophet organization.
john wrote:Manystones wrote:Ishtar,
it's a forum not a boxing ring... what are you frightened off - making a fool of yourself![]()
And anyway, to remind you, you said that you wouldn't reply to me anymore (principally because you can't and have failed to respond to any of my questions or challenges) although you did make out it was because i had twisted your words where in fact all I did was put the focus on the terminology you are using.
OK, gang -
Let's start off with a couple easy ones.
The Willendorf "Venus" and
The painted cave known as "Chauvet"
Neither example demonstrates any "practical" use,
Such as those demonstrated by a club or a handaxe,
Or a length of twisted fibre.
They do, however, demonstrate
In my opinion, a pretty highly developed
Level of cognition.
To what end?
Enquiring minds wish to know..........
Have at.
hoka hey
john
To continue ................
http://sunsite.berkeley.edu/JHTI/shinto/part1.html
http://eos.kokugakuin.ac.jp/modules/xwo ... tryID=1171
http://eos.kokugakuin.ac.jp/modules/xwo ... tryID=1240
http://www.cs.org/publications/Csq/csq- ... fm?id=1667
The whole Jomon/Ainu/Shamanic/Shinto relationship and worldview is pretty amazing.
Both the Jomon and the Ainu used Hematite,
And the Ainu used large, planked, open seagoing watercraft.
Even though there is no direct physical evidence of Jomon watercraft
I rather doubt that the Paleolithic Japanese Olympic Swimming Team
Made the trip from mainland Asia to the Japanese Isles.
The reason I am tying this seemingly circuitous group of facts together
Is that - unless Shamanism suffered from Multiple Simultaneous
Independent Invention -
Whoever that Paleolithic Band was who made the first journey
To Japan, rode on Boats,
Carried Hematite,
And practised the Shamanic.
Which greets us in a somewhat modified but
Instantly recognizable form in the "religion"
Called Shinto.
john
"Man is a marvellous curiosity. When he is at his very, very best he is sort of a low-grade nickel-plated angel; at his worst he is unspeakable, unimaginable; and first and last and all the time he is a sarcasm."
Mark Twain
Mark Twain
Interesting. Lot to read but interesting.
Also, it would be interesting to see if there are any paintings of boats from back then - either in caves or even on stones. Also, would a boat journey be represented in Shamanic drawings? After all, wouldn't it be classified as a journey to another shore?
Also, it would be interesting to see if there are any paintings of boats from back then - either in caves or even on stones. Also, would a boat journey be represented in Shamanic drawings? After all, wouldn't it be classified as a journey to another shore?
i'm not lookin' for who or what made the earth - just who got me dizzy by makin it spin
Another question - when do we start to see paintings or carvings of fish or other sea animals? Or sea plants? Wouldn't they have been important enough for putting in pictures? Or are most of the paintings and sculptures we have from inland areas?
i'm not lookin' for who or what made the earth - just who got me dizzy by makin it spin
Rich -rich wrote:Another question - when do we start to see paintings or carvings of fish or other sea animals? Or sea plants? Wouldn't they have been important enough for putting in pictures? Or are most of the paintings and sculptures we have from inland areas?
Various of the paleolithic European painted caves have representations of sea fauna, including penguins, interestingly enough. Not so sure of the African caves; will be doing more research. Representations of boats are the goddam holy grail - however, here's an interesting article to consider.
http://horizon.documentation.ird.fr/exl ... 020768.pdf
Or could Das Klub argue that this is just
Yet another example of
Multiple Simultaneous Invention of The Same Thing?
hoka hey
john
"Man is a marvellous curiosity. When he is at his very, very best he is sort of a low-grade nickel-plated angel; at his worst he is unspeakable, unimaginable; and first and last and all the time he is a sarcasm."
Mark Twain
Mark Twain
Hmmm - unless I read wrong, the earliest dates I saw were around 5500, which is still old, but still not in the range of what it appears everyone is looking for to prove oceanic travels. Need older schtuffs!!!
Would be great to find something like that oar but dated waaaayyy earlier -
Or even just a cave scribble showing a boat dating back to around 11000 - 15000.
Would be great to find something like that oar but dated waaaayyy earlier -

Or even just a cave scribble showing a boat dating back to around 11000 - 15000.
i'm not lookin' for who or what made the earth - just who got me dizzy by makin it spin