john wrote:
For example, the rites of Eleusis, which stand on the middle of the bridge between oral history and written history, have often been called upon to substantiate a particular interpretation of early Christianity. Maybe they did reflect the continuation of an ancient way of belief in which an at least omiscient and omnipresent Mother Goddess forces the annual death and reincarnation of a male King. Along with rites of initiation which perhaps included the ingestion of psychotropic substances.
My point is, one cannot assign an historical identity to the Great Mother any more than one can to Jesus, as much as the pantheon of sacerdotal writers might try.
So, a question for all. What are the forces at play here?
And yeah I know this is a loaded question.
john
Because I am learning about shamanism, I now have a different understanding about the meaning of the Mystery play to the most common interpretation - the annual death and rebirth of the King reflecting the seasons. Some historians think that all the ancients were concerned about was getting a good crop that year, and appeasing the nature spirits to achieve such outcome. Of course, it was an issue. Still is. But they also had a sense of a deeper reality.
Shamans have to undergo 'death' to become shamans. They have to 'die' to their old selves. Usually this takes the form of a very vivid dream. It did so in my case. But you'll find that many of the best shamans are so because they were brought back from the brink of death, literally, by another shaman.
(I must add, not that that 'death' situation is deliberately caused. I'm thinking here of two that I know: one nearly died as a child from a serious illness. He experienced going into 'death' but then the face of family friend appeared and led him back. That friend was a shaman and now that child has grown into a 40-ish year old man who is one of the best shaman teachers in Britain. Another was saved by the spirits when her car when into a lake.)
The Goddess, in these stories, represents the lower self, the self that has fallen into delusion that it is trapped in a material body, the fallen self, the fallen woman, e.g the prostitute Mary Magdelene. In some of these types of myths , there is a Higher Self Goddess who descends to rescue the Fallen Self (Demeter and Persephone, for example). In others of the stories, a Godman descends to rescue the Goddess (Ishtar and Tammuz, Sarama and Indra). Either way, the story is an allegory for self realisation, the two parts becoming whole again, the divine marriage.
The 'forces at play here' are different aspects of ourselves coming into totality again.
So that's why I think that at the Elusian rites they wouldn't have been teaching about the Mother Goddess as a historical person. That's my view anyway. Of course, not ever having attended an Eleusian rite, one can never be sure!